(The work unfolds within a state of in-betweenness - a fragile temporal zone where continuity persists despite fracture, and where experience resists clear resolution.The project remains suspended between departure and arrival, allowing ambiguity, repetition, and silence to shape its rhythm.

Conceived as a handbound zine, the work exists through repeated acts of translation. Photographs were printed, torn, scanned, and reprinted, moving between physical and digital states. This process keeps the images in motion, holding them between presence and disappearance. Marks of erosion, distortion, and material instability are not corrected but retained, allowing the work to carry visible traces of passage and transformation.

Sequenced horizontally and without hierarchy, the images advance with the unrelenting logic of time, while continually returning to the same emotional terrain. In this tension between forward motion and recurrence, the work reflects how memory and grief operate within linear time - not as events to be resolved, but as states that resurface, settle, and reconfigure. Rather than offering closure, the project inhabits dissonance, where meaning accumulates slowly through repetition.

Developed across volcanic islands, the landscape functions less as setting than as metaphor - a mutable surface shaped by pressure, rupture, and endurance. The work remains open-ended, inviting viewers to linger within these quiet thresholds, where change occurs gradually and without declaration.)

Aeolian islands and Corsica, 2025